Tuesday, July 18, 2017
Thursday, June 22, 2017
Wednesday, June 14, 2017
Wednesday, June 7, 2017
Floating in ocean streams, bathing in colour and water. Clouds, isolated pour. Islands, hills and orcas dissected to show inspection, to vibration, to the mineral core. A beating heart at the centre of the Earth below, the sun high above. The heat inside living things, the heart centred in us. Pen to paper to draw from the inside, a continuous line in time exploring characters in play and motion. A tidy mess. Pushing paint to define the line in shape, to experiment, to contemplate. To get out, to get down, to give in and not give up.
Out in it
June 8 - 22 2017
Opening Reception: Thursday, June 8th, 7 - 9 PM
Monday, June 5, 2017
Wednesday, May 31, 2017
Monday, May 29, 2017
I make assemblages on cradled wood panels, composed of discarded and new ceramic tiles, shards, beads,buttons,shells,feath
Thailand and Italian papers, jewellery and another found and/or new objects which I re-purpose.I also make mosaic pieces such as mirrors and panels using the same types of materials. Lately I have re-discovered the joy of collage.
The most compelling reason I make art is because I love colour and texture, and in the last several years I have discovered that working with objects and moving them around to create relationships between their properties is even more enjoyable for me than painting or drawing. It can sometimes take hours or days to resolve the mystery of what will work with what, and when it works, that "aha" moment is wonderful .
Monday, May 8, 2017
Vicky Christou was born in Melbourne, Australia and immigrated to Canada in 1969. She is a graduate of the Emily Carr College of Art and Design. Her work exists somewhere between painting and sculpture. She is inspired, she says, ‘by the simultaneous happenings of visual and personal metaphorical dialogues.’
Multiple layers of impasto are protected by a woven textile grid to produce striking 3 dimensional images of light and shade.
Jeremy Mangan was born in Seattle and has spent most of his life in the Pacific Northwest. He studied at PLU in Tacoma also in Munich, Germany and New York. There is something of Rene Magritte in Mangan’s paintings. He uses a realist technique to paint recognizable objects in an unusual context thereby creating improbable landscapes and events.
“My current work explores phenomena: the unusual,
exceptional moments just on the edge of plausibility,
and occasionally beyond.” Jeremy Mangan
He has shown frequently in Tacoma and Seattle and now Victorians have a chance to see his work.
Sean Mills, a graduate of Emily Carr University, based in Vancouver, explores light and transparency using paint and plexiglass. He sees paint as both occupying and containing space. The way his works play with light and shadow makes them appear less substantial than they actually are.
Neil McClelland is from Gatineau, Quebec now living in Victoria where he teaches sessionally at UVic and Vancouver Island School of Art. Of all the artists in this show perhaps McClelland comes closest to having a political agenda. His current interest is the perfectibility of society and his striking, albeit somewhat ominous, paintings capture the current societal unease.
In a lighter vein is Carollyne Yardley who is best known in Victoria for her squirrels, cheeky little critters that appear in her paintings in various disguises. Squirrels and masks have led to her current preoccupation, therianthropy (the ancient belief of shapeshifting, and animal ancestors), and theriocephaly (animal-headed humanoid forms such as the ancient Egyptian gods Ra, Sobek, and Anubis). She has also been collaborating with Rande Ola K’alapa. Rande is part of a new generation of indigenous artists who are open to cross-cultural experimentation. Their show ‘Shapeshifting’ is ongoing at the Fazakas Gallery in Vancouver.
Saturday, May 6, 2017
Amanda Salmon is an emerging artist living and working in Victoria, B.C. She received her Batchelor of Fine Arts from Alberta College of Art + Design in 2015. Her work examines the ways dominant ideologies and visual culture shape understandings of Landscape as a genre in Contemporary Art. Her most recent body of work explores the lines between the landscape we view as idealistic, and the landscape that we interact with on a daily basis. Conceptually working through a library of symbols that act as stand-ins for elements of the traditional landscape ( and nature ), she accentuates where these lines meet.
I try to create representations of the landscape as simply as possible, to see how much we can derivefrom what we are given. I start with very simple associations that I reduce down into a symbol or stand in. In a way I am tasting how little it takes to represent a Landscape through a contemporary framework. After spending the last few years building my library, I have began playing with one or two symbols, and in the case of fresh air -the pool and fake grass to redefine the landscape genre for myself, and bring the traditional idea of landscape into a contemporary sphere. There is also always an element of simulacra and simulation in the work that challenge levels of reality, a concept that is often blurred.