In "The Future of the Image", Jacques Ranciere develops a fascinating
new concept of the image in contemporary art, showing how art and
politics have always been intrinsically intertwined. Covering a range of
art movements, and thinkers such as Foucault, Deleuze, Adorno, Barthes,
Lyotard and Greenberg, Ranciere argues that contemporary theorists of
the image are suffering from religious tendencies. He suggests that
there is a stark political choice in art: it can either reinforce a
radical democracy, or create a new reactionary mysticism. For Ranciere
there is never a pure art: the aesthetic revolution will always embrace
egalitarian ideals.
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